The Long Way Around Was My Shortest Path: Why Steel Ball Run's Lesson 5 Can't Be Taught
Steel Ball Run (SBR), Part 7 of Hirohiko Araki’s JoJo’s Bizarre Adventure, takes place during a horse race across North America in the late nineteenth century. A race spanning thousands of kilometers is, at bottom, a brutal contest over who finds the best line, squeezes the most out of every hour, and cuts the sharpest corners through the wilderness.
Yet in the bloodiest showdown before the finish line, Gyro Zeppeli, the racer with the best instinct for shortcuts in the whole story, makes one last charge he knows may kill him. Just before it, he leaves his partner Johnny Joestar the words at the heart of the entire work:
Johnny! Lesson 5! This whole SBR race, I’ve been trying to take the shortest route. But “the fastest shortcut was the long way around.” “The long way around was my shortest path.” All the way across this continent, it was always like that. And it was because you were there that I could walk that path.
Readers treat this “Lesson 5” as the soul of the series. This isn’t a mentor handing out cheap wisdom. Gyro is about to walk into his death, and this is his final reckoning with himself, handed to Johnny at the price of the entire journey.
Why This Lesson Can’t Be Taught
The first four lessons Gyro gives Johnny all have one thing in common: they are concrete techniques.
Lesson 1 is a mental discipline: drop your preconceptions. Lesson 2 is the application of the Spin through muscle and bone. Lesson 3 is the practical skill of loading rotation into the nail shots. Lesson 4 is the “Golden Rectangle,” found by laying nature over the shape of a galloping horse. Each of the four can be broken down and demonstrated, and Johnny can use it in his very next fight to the death.
Lesson 5 alone can’t be taught. You can’t show anyone “how to take the long way around.” Before you’ve paid the price, the line sounds like an excuse for inefficiency and failure. By the time you really understand it, the price has been paid and it’s too late to use.
The original Japanese, “遠回りこそが俺の最短の道だった,” ends in an unmistakable past tense: datta, “was.” By the time Gyro says it, he is bound to lose the race. The pardon that would have saved Marco, the servant boy on death row, is gone, and Gyro’s own life is nearly over.
So the line works less as advice to a younger man than as last words. Once it’s spoken, Gyro can’t use it to win anything. It’s no good to him anymore, and it has only one place left to go: to Johnny.
The final phrase, “because you were there,” gives the credit to Johnny. When he sets out, Gyro wants only to get to the finish line as cleanly and efficiently as possible, win the race, and trade the win for a pardon. Johnny is the “least efficient detour” of all. He drags his paralyzed legs to keep up, makes Gyro stop in the desert and explain how things work, and pulls him into the mire at one life-or-death moment after another. That detour is what finally teaches this Neapolitan executioner to take the long way.
Valentine’s Shortcut
In SBR’s fight design, philosophy never stays in the dialogue. It becomes the physical law that governs how Stands work.
The final villain, President Funny Valentine, stands for two extreme versions of “shortcut logic.” His Stand, “D4C,” lets him move freely between parallel worlds. When he’s close to death, he just brings in an unharmed version of himself and skips the cost of injury and death entirely.
His defensive power, “Love Train,” drawn from the Saint’s Corpse, runs on a cold, zero-sum view of the universe. By his famous “napkin” theory, whoever picks up the napkin first sets the rules for everyone. So he raises an absolute wall of light and sends every harm and misfortune aimed at him away along the shortest path, dumping it on innocent bystanders somewhere far off.
It’s the purest fusion of authoritarianism and utilitarianism: skip the process, offload the cost.
The “Cavalry Spin” and Johnny’s evolved Stand, “Tusk ACT4,” are the perfect counter to this whole shortcut system. Infinite rotation can’t be conjured out of nothing. The rider has to let the horse “run in the way that feels best to it, as if giving thanks to nature,” and the energy builds only when the rider gives himself over completely to nature’s rhythm.
When Tusk ACT4 tears through the dimensional wall of light and drives the rotation into Valentine’s body, it doesn’t matter how many parallel worlds he crosses or how many bodies he swaps. Gravity drags him right back into the hole where he was hit.
| Aspect | Valentine’s “shortcut philosophy” | Gyro and Johnny’s “long-way philosophy” |
|---|---|---|
| Core worldview | Zero-sum game (happiness and misfortune add up to zero) | Natural growth (building fully along the spiral) |
| Ability mechanics | D4C skips death; Love Train offloads the cost | Cavalry Spin, Tusk ACT4 |
| Path geometry | Man-made straight lines (borders, light-wall deflection, first to the napkin) | Natural spirals (shells, whirlpools, a process that can’t be skipped) |
| Ultimate cost | The bill is pushed onto strangers | Carrying the full weight of loss and of the journey yourself |
Gyro and Johnny’s Long Way
Gyro comes from a family of royal executioners in Naples with 250 years of history, and he’s also a trained surgeon. On the surface, he enters the race to make a simple trade: win, and the king pardons Marco. Marco is a nine-year-old servant boy who once ground a fish bone into a needle and quietly mended his gorget in his cell.
Over the long journey, his motive shifts from “trading for a result” to “understanding the dignity of life.” His technique takes its own roundabout path too, from an instrument of royal execution to a means of saving lives and passing on what he knows.
Johnny’s starting point is a “life in the negative,” crushed by guilt. His own arrogance left him paralyzed from the waist down, and his family still lives in the shadow of his older brother’s accidental death. He enters the race with an almost desperate need: “I’m still in the negative. I just want to get back to zero!” For a while he sees the Saint’s Corpse as the ultimate shortcut, something that could wipe out his past in an instant and let him start his life over.
For Johnny, the whole race is a slow, painful process of paying off a debt. Near the end, the dying Valentine offers him one last deal: if Johnny releases the infinite rotation, Valentine will go to a parallel world and bring him back a “living Gyro.”
It’s the last shortcut: seeing Gyro again without ever having to accept losing him. Johnny does not reject it outright. He wants to see Gyro again and is almost persuaded by Valentine’s promise, but he tests him with the revolver Valentine fired into Gyro’s body. Only when Valentine draws another hidden gun do they exchange fire.
Johnny finishes Valentine with his final nail shot, and with him goes the chance to see Gyro again.
The boy who once wanted a miracle to zero out his life in a hurry crosses an entire continent, only to find that he still has to live through the pain of losing Gyro, one step at a time.
⭐️A Path’s Worth Isn’t Decided at the Finish Line
Many readers boil “the long way around is the shortest path” down to a clever self-help motto, a kind of “slow is fast,” as if spending more time simply makes you more certain to take the trophy in the end.
But at the end of chapter 95, Araki himself tears that utilitarian reading apart.
Marco, the servant boy Gyro gave his life for, isn’t freed by any pardon the race was meant to win. Years later, revolution breaks out in Naples and abolishes the monarchy. Marco, still in prison, is released by the revolutionaries and dies of an ordinary cold not long after.
Gyro’s father, Gregorio, once warned his son with the image of a tennis ball clipping the net: when the ball hits the tape, fate alone decides whether it drops over to the other side or falls back at your feet. Araki deliberately lets fate’s ball land outside the lines, somewhere no one saw coming, and that is how he punctures the utilitarian fantasy: the value of “taking the long way” always lies in what you build up and who you become on the way across, never in the prize at the finish line.
If this lesson only mattered when it paid off, Marco’s fate would be the cruelest possible verdict on Gyro’s whole life.
Araki is just as cold about the politics. After Valentine vanishes, the world still gives the president a 90 percent approval rating and a medal of honor. The public always rewards the powerful who take shortcuts. Lesson 5 never became the rule for winning in the wider world.
NOTE
Further reading: Write What You Absorb: The Life and Twenty-Year Technical Writing Journey of Hsin-Liang Lin (Liang Gege)
Lesson 5 didn’t change the world. It changed one person. After the race, Johnny takes Gyro’s body and boards a ship for Italy.